BRING ON THE TYROS, THE NEOPHYTES, AND THE DILETTANTES
Beware Arc Flash!
Hallelujah! I have conquered my fear, laziness, and better instincts. In the last couple of weeks I've gone from having a good idea to having a tightly structured, neatly plotted, intriguing story ready to tell. Still don't have a word down in Celtx, but never mind that for now.
I do have a big corkboard full of colorful index cards, telling me what, when, why, and where everything is going to happen. The people who say they write without doing any structure first are either: a) lunatics or b) geniuses. I, being neither a nor b, think this board, with its tidy little world of wonderful structure, may actually save my life.
Am also eternally indebted to the internet and all of its wonders (how did we live before 1990?). Every day I dip into my favorite sources and seek out a few new places for advice, info, and morale-boosting. These are the ones I've harvested recently, with a dash of salt of course:
Screenplay Mastery - Quick ref guide to structure, and an interesting section where he critiques people's opening scenes.
And of course, I'm still visiting Jane Espenson for her almost daily hits of wisdom.
I'm also somehow managing to fit all this accomplishment around my latest paid project on arc flash and electric shock, which is infiltrating every bit of my screenplay, even suggesting character names and the title...
Slacker excuses: "Lost" has started again and I finally got a membership at Blockbuster.